For our Slow Session note readers, I am writing an introduction for our
revised book of tunes that says how to get from the Bare Bones of our sheet
music to an accomplished sound. I would like to give them a compelling
reason to improve, or build on, their playing. How would you do this?
By the way, I now have the whole tune book (70 tunes) in abc.
Douglas Cole - St. Paul Slow Session, Minnesota, USA
Philippe Varlet said:
>Perhaps the distinction should be drawn between *learning* from notation and
>*playing* from notation. If you know the music, learning a new tune from
>notation can't be too detrimental to your playing.